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Dance anatomy and kinesiology By Karen Sue Clippinger

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Sales Rank: #422018 in Books
Brand: Brand: Human Kinetics
Published on: 2006-12-13
Original language: English
Number of items: 1
Dimensions: 11.00" h x 1.56" w x 8.50" l, 3.67 pounds
Binding: Hardcover
544 pages

Features

Used Book in Good Condition

Review
In 20 years of reviewing dance science books, rarely have I seen one so comprehensive, accurate, detailed, and practical. I emphasize the latter because here is a book that is loaded with practical applications for dance... both science text and dance handbook. -- Gigi Berardi, Journal of Dance Medicine & Science, 11(2) 2007

In short, few texts approach the breadth and depth of this compelling, evidence-based work. If a picture is worth 1,000 words then this must be a 200,000 page book, and thus, good value for the money. -- Gigi Berardi, Journal of Dance Medicine & Science, 11(2) 2007 Gigi Berardi, Journal of Dance Medicine & Science, 11(2) 2007

Karen Clippinger's Dance Anatomy and Kinesiology is most likely to become the definitive textbook in dance anatomy, kinesiology, and conditioning classes in colleges and universities in the United States. -- Gigi Berardi, Journal of Dance Medicine & Science, 11(2) 2007

From the Back Cover
Dance Anatomy and Kinesiology will help dancers learn anatomical and biomechanical principles as they apply to dance performance. The text focuses on optimal dance movement and the related principles for understanding the function of body joints. And by applying those principles, dancers can help reduce their risk of injury and enhance their performance longevity.

Dance Anatomy and Kinesiology includes special practical applications: • Concept Demonstrations provide hands-on exercises to try. • Tests and Measurements are specific to selected regions of the body. • Dance Cues help analyze cue effectiveness and promote optimal movement execution. • Study Questions and Applications help apply chapter concepts • Attachments provide the pronunciations, attachments, and key actions of the primary muscles covered in this text.

This text offers valuable scientific knowledge and understanding for dancers, helping them to blend anatomical and kinesiological principles with artistic expression. Such a blend of science and art will empower dancers to realize their potential and expand their artistic vision.

About the Author

Karen Clippinger received her master's degree in exercise science from the University of Washington in 1984. Her lifelong work has focused on the application of scientific principles to enhance alignment and movement performance while reducing injury risk. She is currently a professor at California State University at Long Beach, where she teaches functional anatomy for dance, Pilates, placement for the dancer, prevention and care of dance injuries, and dance science related to teaching technique. Ms. Clippinger has also taught dance anatomy and kinesiology courses at UCLA, Scripps College, the University of Washington, and the University of Calgary. She serves as a faculty member for Body Arts and Science International.

Prior to her appointment at CSULB, Ms. Clippinger worked as a clinical kinesiologist for 22 years. She has also served as a consulting kinesiologist for the Pacific Northwest Ballet since 1981 and has consulted for the U.S. race walking team, the U.S. Weightlifting Federation, and the California Governor's Council on Physical Fitness and Sports.

Ms. Clippinger has given more than 350 presentations in the United States and abroad. She has taught workshops at many universities and has authored numerous articles and chapters. She wrote an exercise column for Shape magazine for four years and served as one of the founding coeditors in chief of the Journal of Dance Medicine and Science from 1996 to 2005.

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